Art with a Message in Long Island City

A couple of years ago I wrote about a great art installation in Long Island City called the Top to Bottom Mural Project. For that project, dozens of street artists painted a variety of murals on all four sides of a three-story building. This spring, a new art installation appeared on the same building, covering the original murals. This project is a bit of a mystery. I’ve done some research, but I haven’t yet figured out who has painted it. It looks like the work of one artist or group of artists working together on a single concept. The murals appear to portray refugees from different geographic places and different eras. It’s a powerful work of art – there’s something different to see everywhere you look. Some are in color, while others are in black and white. The figures are woven throughout spans of glass windows. Some are small, no more than a single story in height. Others are as tall as the building.

Anything I might say about these murals is not nearly as effective as they are, so let me get to the photos. I’ve chosen a variety of shots to give you a sense of the project’s magnitude and impact, but there’s even more to see if you go there in person.

If you want to see these amazing murals for yourself, the building is located at 43-01 21st Street in Long Island City. If traveling by subway, the closest subway stations are the F train’s 21st Street/Queensbridge station and the E, G, and 7 trains’ Court Square Station. (The M stops at Court Square on weekdays, but not on the weekend.) If I ever figure out who the artist is, I will update the post later. Note: If you wish to take photos of the murals, I recommend going on a cloudy day. The sun casts shadows on the murals that make photography challenging!

Tasting Cider at the Brooklyn Cider House

Quite some time ago we had the chance to taste some Brooklyn Cider at the Lower East Side Cider Festival, and I’d heard that the cider makers had recently opened a new cidery and restaurant called the Brooklyn Cider House in Bushwick, Brooklyn. We decided to stop by and check it out last weekend when we were on the hunt for street art in Bushwick, and that turned out to be a great decision.

From a distance, the Brooklyn Cider House looked like a brick industrial building with a metal fence at one end, but there was a large break in the fence with a sign-board welcoming us in. Upon entering the property, we immediately saw the Cider House entrance.

As we stepped inside, we began to feel the magic of the place. Stretching along one wall of the front room, a sunny and welcoming bar, is a mural by Italian street artist Pixel Pancho. The sunlight made getting a full photo of the mural difficult, but in the close-up pictures you can see the details that make Pixel Pancho’s murals so beautiful yet unique.

We arrived not long after they had opened, and the person who greeted us took us on a quick tour of the cidery and restaurant. As we walked past the bar, we entered a space with huge barrels that are used to age the cider. It was a wonderful space, and behind the barrels was even more street art, this time a large mural collaboration by Israeli artists Dede Bandaid and Nitzan Mintz. This one is hard to capture in a single photograph, because of its location behind the barrels, but here are a couple of glimpses.

Behind a pair of large doors was this room where cider is made.

Finally, there was this large room, empty at the time of our visit but used for the the 5-course Basque-style tasting dinners. As part of the dinners, guests have the chance to catch and taste cider straight from the wooden barrels. We decided then and there we will have to come back and have dinner sometime very soon. (Wondering about what they serve at the dinners? Here’s a link to the menu.)

After the tour, we sat down at the bar to order brunch and sample cider. We shared this delicious cowboy steak and eggs for two, perfectly cooked and just the right amount for two people.

Although the bar offers a variety of ciders, beers, and wines, we chose to do a tasting of Brooklyn Cider House’s own ciders. The tasting came with three out of four ciders, but the bartender was kind enough to let us taste the fourth as well. The Kind of Dry, Half Sour, and Bone Dry were all delicious, but our favorite ended up being the Raw, which is described as “a dry, wildly natural cider with beautiful acidity … fresh and mouth puckering with crisp green apple and citrus aromas.” In fact, the ciders were so good we purchased a couple of bottles to take home with us.

Our entire experience at the Brooklyn Cider House was great, and the people we met were enthusiastic and knowledgeable about their ciders. It was the perfect start to our hunt for street art around Bushwick that afternoon, and we will definitely be visiting again soon.

Want to visit Brooklyn Cider House yourself? It is located at 1100 Flushing Avenue in Bushwick, Brooklyn, just a short walk from the L train’s Jefferson Street stat.:ion. The restaurant also has a small parking area inside the fence, for those who are driving.

JMZ Walls in Brooklyn

There are many different neighborhoods with rich street art traditions in New York City. You might go to Queens, to Long Island City and Astoria, which I’ve written about before here, here, and here. There’s more in the Bronx – as well as Staten Island – and I’ll explore those more in the future in this blog. In Manhattan, you can find murals in Washington Heights (the Audubon Mural Project, which I wrote about here), Harlem (here‘s just part of what’s offered), East Harlem (more on that here), Chelsea, Little Italy, Chinatown, Alphabet City, and the Lower East Side (including the First Street Green, which I wrote about here). And finally, there’s even more offered in Brooklyn – Dumbo (see here), Williamsburg and Bushwick (more on those coming soon), and others.

For this post, I thought I would focus on one particular street art project in Brooklyn, known as JMZ Walls. JMZ Walls is named after the J, M, and Z train lines which run along Broadway in this part of Brooklyn. In fact, you can find all of these murals within just a block or two of Broadway. I’ve also included a few murals from the Dodsworth Street Mural Project, an earlier mural project whose boundaries seem to overlap with JMZ Walls. In fact, it’s really hard to tell where one ends and the other begins.

Here is a description of JMZ Walls by its founders, taken from its website:

JMZ Walls is a group of Bushwick residents who love the diversity and identity of Bushwick. We are committed to providing a unique collaborative experience for artists and our community. We endeavor to seek out available walls for local and global artists to create pieces that will be viewed by the greater Bushwick community. Our goal is to not only beautify our neighborhood, but to provide imaginative works of art the residents of Bushwick would not otherwise have access to. We believe that the streets have the potential to be a gallery to recount the history and progression of New York and the larger global community.

There are so many murals it is impossible to feature them all in a single blog post, so I will concentrate my attention here on my favorites, as well as others that show the diversity of the art work in the neighborhood. Artists’ names – and Instagram accounts, when available – are located below each photo.

BK Foxx (Instagram: @bkfoxx)
WERC (Instagram: @w3rc)
Key Detail (Instagram: @keydetail) and Yu-Baba (Instagram: @juliayubaba)
A Visual Bliss (Instagram: @avisualbliss) and Mr. Prvrt aka Justin Suarez (Instagram: @mrprvrt)
Lexi Bella (Instagram: @lexibellaart)
Kaldea Nakajima (@kaldea)
MURRZ (Instagram: @_murrz) and JCORP (Instagram: @jcorptm)
Ramiro Davaro-Comas (Instagram: @ramirostudios)
Marcelo Ment (Instagram: @marceloment)
Marcelo Ment (Instagram: @marceloment)
La Femme Cheri (Instagram: @la_femme_cheri) and Kimmy Grace (Instagram: @magicalblahblah)
Vince (Instagram: @vballentine99)
Kwue Molly (Instagram: @kwuemolly)
Huetek (Instagram: @huetek)
Thiago Valdi (Instagram: @thiagovaldi)
L7Matrix (Instagram: @l7matrix)
Caro Pepe (Instagram: @caro.pepe)
Tee Marie/Brooklyn Tee (Instagram: @brooklyntee)
Zesoner (Instagram: @zesoner)
Fumero (Instagram: @fumeroism)
Eelco Virus (Instagram: @iameelco)
Shiro (Instagram: @shiro_one)
Adam Kiyoshi Fujita (Instagram: @adamfu)
Turtle Caps (Instagram: @turtlecaps)
Shower Scene from Alfred Hitchcock’s Psycho – BK Foxx (Instagram: @bkfoxx)

Want to explore the JMZ Walls and Dodsworth Street Murals for yourself? The easiest way to access them is from the J, M, and Z trains. All of the murals I’ve posted photos of here are located off of Broadway between the Kosciuszko Street station and Marcy Street station. You can also access them from the stations in between, including the Myrtle Avenue, Flushing Avenue, and Lorimer Street stations.

East Harlem Jane’s Walk 2017 (Part II): Community Murals

A few weeks ago I was able to take two Jane’s Walks in the NYC neighborhood of East Harlem. (For a description of what a Jane’s Walk is, along with the description of the other Jane’s Walk I took, see my earlier post here.) Today, I want to focus on the second walk, titled Lost and Found Murals in East Harlem, which was led by Kathleen (“Kathy”) Benson Haskins. Kathy had actually tagged along on the first walk I took that day – she was the person who told us about the Manny Vega mosaic I talked about in my previous post – so by the time the second walk started we had already been introduced.

As regular readers of my blog know, I am a real fan of public art and street art, so Lost and Found Murals in East Harlem was the perfect walk for me. The main theme I took away from this Jane’s Walk was the importance of public art in creating and serving as the meeting point for community in this neighborhood. The area we explored in the second walk is the Latin-American part of East Harlem also known as El Barrio. The neighborhood is a treasure trove of community-focused murals.

A second important theme of this walk is the ephemeral nature of street murals. Without constant care and regular restoration, outdoor murals fade. They may be defaced, and, importantly, they and the building they are painted on may be torn down as a result of development and gentrification. There were murals we only heard about, as they no longer existed. Unlike unique buildings, which may be saved because of their architectural or historical importance, murals are not covered by federal or local landmark laws.

We learned about two artists with roots in the neighborhood and have multiple examples of their art on display. First, there is the artist James De La Vega, whose painted several portraits of Latino cultural leaders, including this one of Pedro Pietri, a Nuyorican (Puerto Rican-New Yorker) poet and playwright.

A few streets over, I found this mural of a different style, also by De La Vega.

The second artist was Manny Vega, whose art we were already introduced to in the prior walk. Vega’s work comes in many forms in East Harlem, but it’s always delightful to discover. For example, there was this mosaic memorial to Julia de Burgos, a Puerto Rican poet and activist who lived the last part of her life in New York City. We learned the tragic story of Julia’s death at the age of 39. After collapsing on the street and not being identified, she died of pneumonia in a nearby hospital and buried in a pauper’s grave. After her identity was determined later, she was returned to Puerto Rico and reburied.

A short distance away I spied these hand-printed posters expressing concerns of members of the community. As Kathy explained, the murals and protest posters marked spots where people would gather to share their concerns and organize.

Manny Vega’s art comes in other forms as well, such as the mural Espiritu. Here are a few of the images that are part of that mural.

Vega’s art also decorates local businesses, this time painted instead of tile mosaics.

There were even these more temporary wheatpaste-style images by Vega on the side of another building.

Vega also has a connection to this amazing mural, titled the Spirit of East Harlem. The mural was painted by artist Hank Prussing beginning in 1973, and Vega helped Prussing to complete the mural during the next 5 years. Years later after the elements had caused the mural to deteriorate and vandals had damaged it, Vega came back and restored it. One of the things that makes this mural special is that it portrays actual people from the community.

I love the fact that this mural shows men from the neighborhood playing dominoes, as during our walk we stumbled upon a domino tournament at a local democratic club.

Vega also created this mural for the East Harlem Tutoring Center. Located in the building’s lobby, the delightful mural shows teachers and students gathered outside.

Hanging on the outside of the Tutoring Center building was a large banner, designed by the students with Vega’s guidance. The theme was a response to the new American president’s anti-immigrant policies, which have created much anxiety among many school children in New York City who come from immigrant and refugee backgrounds. The message of this art: #BuildLove, with a celebration of the city’s diversity.

As we continue our walk, we see many other examples of public art in various forms. There’s this colorful entrance to a small bodega.

There was this protest mural demanding the release of Oscar López Rivera from federal prison. López Rivera was associated with a Puerto Rican paramilitary organization seeking Puerto Rican independence. That organization was associated with more than a 100 bombings of U.S. targets, and López Rivera served 35 years in prison before being pardoned by President Barrack Obama during his last days in office. (There has always been some debate over López Rivera’s degree of involvement in the bombings, and much activism on his behalf. He’s still a very controversial figure.)

We can barely glimpse another mural behind a drummer at a street fair going on in the midst of our walking route.

And here are details from a large mural celebrating Latino pride and activism. The portraits are of Pedro Albizu Campos and Che Guevera.

Wait – through the fence we catch a glimpse of a garden and more art, owned by the community organization Hope Community, Inc. That organization has also providing support for many of the other mural projects in the neighborhood.

We learned about the “RIP” murals, sometimes painted to commemorate the lives of people who died in the community. Often, the subjects of such murals are really more like anti-heroes, possibly killed because of illegal activity. We came across this RIP mural, with candles and empty bottles clustered at its base.

Let’s end with this “postcard” style mural of the word “Harlem.” It’s a fun one, although as you can see below it’s difficult to capture in a single photograph. The vibrant mural incorporates the work of a number of prominent street artists.

But before we end, here is a picture of our very knowledgeable leader on this walk, Kathy. Kathy has significant knowledge of this area of East Harlem, and she worked until her retirement at the Museum of the City of New York. (Coincidentally, MCNY is one of my favorite museums in the city – I’ve written about it before here and here.) Kathy has offered Jane’s Walks in East Harlem for multiple years, so make sure you keep an eye out for her tours next year.

This is another great walk for Jo’s Monday Walks. Have you checked out Jo’s blog? I recommend it!

East Harlem Jane’s Walk 2017 (Part I)

This past weekend marked an extraordinary event in New York City and more than 200 other cities around the world: Jane’s Walk. Jane’s Walk is named after Jane Jacobs, a journalist and urban activist who pushed city governments to include local residents in decisions regarding neighborhood development. As part of her efforts, she is often credited with leading opposition to the proposed construction of an expressway through Greenwich Village in Manhattan in the late 1960s, preserving that neighborhood’s character to this day. Now, every year, local volunteers take people on free tours of their neighborhoods. In New York City, those tours are coordinated by the Municipal Art Society, which also offers other tours throughout the year.

This year, there were 68 pages worth of Jane’s Walks to choose from in New York City. I decided to explore the neighborhood of East Harlem in Manhattan, also sometimes known as El Barrio. I actually took 2 walks on Saturday, both in that same neighborhood but focusing on different themes and traveling on different streets. My feet hurt by the end of it, but both walks offered rich treasures.

The first walk, which I will focus on in this post, was named “The Heritage of Italian East Harlem.” It was led by LuLu LoLo, an artist, playwright, and actor who traces her family history in East Harlem back more than 100 years. Here’s a photo of our fabulous guide for the walk.

I knew that this was going to be a fun walk, as it was like we were all great friends from the start. (Well, some people actually did know each other already – this tour attracted a number of walkers whose families had lived in the neighborhood.) Although we had plenty to see on this walk, what made it special was LuLo’s stories about growing up in the neighborhood, and her explanation of how the neighborhood has evolved over time. Much has changed in recent decades, but LuLo brought old family photos to provide a bridge between the present and her childhood memories of East Harlem.

From our starting point, LuLu drew our attention to a faded advertisement for Bloomingdales Department Store located on the side of a nearby brick building. Although the sign has faded beyond legibility, it has been there since LuLu’s earliest memories. (And LuLu admitted, upon one walker’s nosy question, that she is in her early 70s.) See if you can make out the weathered sign in the photo below.

LuLu spent some time describing the early makeup of the neighborhood, where immigrants had settled next to others from their old communities. On this street, on this block, lived the Italians from the province of Basilicata. Another street was home to Germans, another Irish, another Russian. Over here were Puerto Ricans, and shops owned by Jewish immigrants, with living quarters behind the storefronts, were there. Further down were African-American residents. I quickly came to appreciate the diversity, the complexity of East Harlem.

Along with the diverse population came complex politics. This corner, and a neighboring one before it, were known as “Lucky Corner,” the place where a stage was set up during campaign season for candidates to speak to the crowds. Want to gain the votes of the people in the neighborhood? Then you knew you had to come to Lucky Corner.

We learned about Congressman Vito Marcantonio, who earned a reputation as the protector of the working class, regardless of race or ethnicity. LuLu shared precious childhood memories of the congressman, who died of a heart attack at a young age, as well as Leonard Covello, an educator who became principal of a local high school and persuaded immigrant families to let their children go to school. As we walked along 116th Street, LuLu pointed out where these and other Italian Americans of note lived, as well as the music store that has been in the neighborhood for more than 60 years, the building formerly home to the Cosmo Theater, a row of tenement buildings where immigrant families have live generation after generation.

Soon we pass a community art project. Along one side of the art project, there is a suggestion box. Members of the community are invited to make suggestions about what the next version of the art walls will look like. The current theme: environmental concerns.

As we walk further, LuLu tells us more about her parents, Rose and Peter Pascale, who were long-time community activists. For many years, Peter ran Haarlem House, a settlement house that served the immigrant community of East Harlem. In recognition of his years of service, part of the street has been renamed Pete Pascale Place.

Here, our group stands in front of La Guardia Memorial House, built on the site of the old Haarlem House after the city determined that it needed replaced. The new community building is named after Fiorello La Guardia, onetime mayor of New York City. A senior center located on site is named after former Commissioner of Immigration Edward Corsi, another of East Harlem’s past residents.

On the side of this building we found this beautiful mosaic mural commemorating Dr. Antonia Pantoja, who spent her professional life taking care of the community of East Harlem. The mosaic is the work of local artist Manny Vega.

LuLu pointed out the former Benjamin Franklin High School building, where Leonard Covello was once principal. The building is now home to a specialized public high school known as the Manhattan Center for Science and Mathematics.

Our final stop was the Pontifical Shrine of Our Lady of Mount Carmel, one of only four Roman Catholic Churches designated as Pontifical Shrines in the Western Hemisphere. LuLu explained that Italian workmen labored to build the church in their off hours, but in the church’s early history the Italians were relegated to the basement for religious services and not allowed to worship in the main sanctuary. Unfortunately, the church’s exterior is concealed by construction scaffolding as the building undergoes repairs, so the only photo I could get outside was of this intriguing bulb-lit sign. (The shrine’s website has a photo of the building without the scaffolding, if you are interested.)

The interior was beautiful though, and here are some photos of the sanctuary and adjoining space.

At this point, the walk disbanded, and each of us went our own way. Despite my tired feet (walking on concrete has that effect!), I trekked to my next Jane’s Walk – also located in East Harlem – which was due to start soon. I’ll tell you more about that in my next blog post.

As I think about it, a Jane’s Walk is a perfect fit for Jo’s Monday Walks. Have you checked out Jo’s blog? I recommend it!

Harlem Murals – Creative Art Works Projects

Not long ago I explored the campus of City College, looking for gargoyles or grotesques. (You can find that post here.) As I made my way from the campus back to the train, I stumbled on two special murals on 138th Street between Amsterdam Avenue and Hamilton Place. The murals come from Creative Art Works, a nonprofit organization that engages young people through art. From what I understand from the Creative Art Works website, they hire youth age 14 to 24 to complete these public art mural projects, working under the supervision of a teaching artist.

The first mural, painted in 2016, was supervised by teaching artist Lunar New Year. The mural is titled “The More You Give, the More You Grow.” Here are photos showing some of this mural’s details.

The second mural on 138th Street is titled “Dreams of a Creative Revolution,” and it was created under the direction of teaching artist Maria Berrio in 2012. Two years later, the mural was restored by teaching artists Gera Lazano and Max Allbee’s crew. Here are some photos of some of the mural details. As you can see, it truly has a “dreamy” quality.

 

If you want to see these murals in person, the easiest way to get there is to take the subway. Take the 1 train to the 137th Street-City College station; the murals are only a short distance away. After you’re done viewing the murals, continue up the hill – the gargoyles are only about half a block away.

A Hidden Treasure: The First Street Garden

Tucked in between two buildings on First Street on the Lower East Side is a hidden treasure: the First Street Garden. A community garden supported by the Lower East Side Girls Club, the garden is only open limited hours – but it is still worth walking by, even if you have to peep between the metal fence rails. One sign explains that the Garden was created and maintained by volunteers working with GreenThumb, an almost 40 year old NYC Parks initiative that “helps local residents transform vacant properties into attractive green spaces.”

One of the reasons why the First Street Garden is so special is that a series of murals of “women who have changed the world” have been painted on the walls on either side of the space. There’s this mural of the late journalist and social justice advocate Dorothy Day. The banner above her head reads, “All of our problems stem from our acceptance of this filthy rotten system,” a quote often attributed to Day but likely not something she actually said.

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Next to her is a portrait of Sojourner Truth, a 19th-century abolitionist and woman’s rights advocate.

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The gate was locked on the day that I visited, but I still spied these murals of Rosa Parks, known for her role in the Montgomery Bus Boycott of 1955-1956, and Shirley Chisolm, a New Yorker who became the first African-American woman to serve in the U.S. Congress. (Further down the wall was Susan B. Anthony as well.)

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I also noticed this small mural of Ella Baker, a civil rights activist and human rights activist. There are numerous other small murals as well, certainly worth exploring further when the gate is unlocked.

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As one sign on the wall indicated, the Garden’s participants are also engaged in an experiment in sustainable design, and bamboo and recycled materials have been used to build some interesting structures. In warmer weather, the Garden would be a wonderful place to relax and read a book for a while.

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Want to visit the First Street Garden yourself? It is located on First Street between First and Second Avenues. The closest subway station is the Second Street station, which is accessible from the F train. (Additionally, an access point for the First Street Green Cultural Park is located just down the street from the First Street Garden. You’ll always find original, fresh street art there.) According to the sign on the gate, the garden is open on Friday afternoons, 4:00-6:00 pm, and Saturdays and Sundays from noon to 4:00 pm.

Harlem’s Community Murals

The Manhattan neighborhood of Harlem has a rich history as the birthplace of the Harlem Renaissance, a flourishing of African-American literature, art, and music that began in the late 1910s. Today, visitors to Harlem can find a number of community murals celebrating that history, if they just know where to look.

One place to start is the Hope Steven Garden, located at 505 West 142nd Street, between Hamilton Place and Amsterdam Avenue. In 1986, Eva Cockcroft painted a mural titled “Homage to Seurat: La Grande Jatte in Harlem.” Over the years, the mural faded and paint began to peel because of exposure to the elements. The mural’s decay made its ultimate demise seem inevitable. But, in 2009, after pressure from the community, the mural was fully restored. It’s definitely one to visit if you make a trip to this neighborhood, and you can still see the mural clearly even if the garden’s gates are locked.

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Within a short radius of this site, you can find several other community-oriented murals. Just wander up and down the streets, and you’ll quickly find other treasures. On this particular walk, I spied a mural on the side of the building, just across the intersection, that I felt I had to see close up. Unfortunately, this mural  – as well as most of the other ones I discovered – don’t have a signature, and I have not been able to determine who the artists are.

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Here are the details from that mural.

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There were also a series of portraits of a few of the people associated with the Harlem Renaissance. Here is musician Billy Strayhorn, playing the piano, with a couple dancing in the background.

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I couldn’t find a label for this one, but it’s a beautiful portrait.

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This is a portrait of writer Langston Hughes.

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And finally, there’s this one of the famous jazz musician, composer, and band leader Duke Ellington.

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I’ll leave you with this one final mural celebrating Harlem’s musical history. Designed by artist Frank Parga, “The Melody of Harlem” was painted by a number of members of the local community.

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To explore these murals (and others in the neighborhood) for yourself, take the 1 train to either the 137th Street – City College station or the 145th Street station. You can also access this part of Harlem by MTA bus. The M4 and M5 buses travel along Broadway and stop approximately every 2 blocks, and the M100 and M101 buses travel along Amsterdam Avenue. While you are in the area, you may want to check out the Audubon Project Murals as well. It is only a short walk to most of those murals. (I’ve previously written about the Audubon Project Murals here.)

Coney Island Art Walls

Imagine an outdoor museum of street art, open and free to visitors. That is exactly what the creators of the Coney Island Art Walls at Brooklyn’s Coney Island have envisioned. For the second year, an otherwise empty concrete lot has been transformed into a host for a variety of murals. Many of the murals draw inspiration from Coney Island-related themes, such as carnival side shows, amusement parks, and mermaids, but there are many other themes as well.

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Each mural has special lighting for evening viewing, and, similar to a traditional museum, each mural has a name plate identifying the artist. For those who don’t regularly follow street artists, the name plates are especially nice, as many street artists do not sign their work.

Here are some photos of my favorite murals from this year’s Coney Island Art Walls.

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Artist: Aiko
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Artist: Nina Chanel Abney
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Artist: The London Police
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Close-up of mural detail by The London Police
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Artist: D*Face
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Artist: Triston Eaton
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Artist: eL SEED
Artist: Marie Roberts
Artist: Marie Roberts
Artist: Gaia
Artist: Gaia
Part of large mural by Tats Cru
Part of large mural by Tats Cru
Part of large mural by Tats Cru
Part of large mural by Tats Cru

There are a couple of really interesting 3-dimensional works.

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Artist: John Ahearn
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Close-up of details of mural by John Ahearn
Artist: Stephen Powers
Artist: Stephen Powers
Close-up of detail from mural by Stephen Powers
Close-up of detail from mural by Stephen Powers

There’s even this poem by Jessica Diamond:

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Coney Island Art Walls offers more than street art – there’s also a “food court” of sorts, with several dining options. Each vendor is set up in a converted shipping container, and there is plenty of seating available.

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For those who want to revisit their childhood, the Coney Island Art Walls is also host to the open-air Dreamland Roller Rink, which holds two open skating sessions on Sundays (4-7 pm, and 7-10 pm). The theme is roller disco, and skaters are encouraged to dress in clothing from the 70’s and 80’s. Imagine roller skating in the shadows of great street art! As you can tell from the photos above, there’s plenty of other activities nearby as well, including amusement parks and the beach.

To get to the Coney Island Art Walls, take the D, F, N, or Q trains to the Coney Island/Stillwell Avenue station. (While you’re at the station, take a look at the art onsite, which I’ve previously written about here.) Walk down Stillwell Avenue past Nathan’s Hot Dogs towards the beach. You will spot the Coney Island Art Walls after you’ve walked about a block.

Welling Court Mural Project 2016

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Artists: Mike Makatron (@mike.makatron) and Dirt Worship (@dirt_worship)

Street art, by definition, is temporary. Something left exposed to the elements will deteriorate over time, obscuring once clean lines and dulling once vibrant colors. When you come across murals you love, it can be sad to see them fade as the seasons pass. But that reality is made better by another aspect of street art – what is old will soon be replaced by something new, and your process of artistic discovery begins again.

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Artists: Chris Stain (@chrisstain1972) and Billy Mode (@billymode)

Such is the case with the Welling Court Mural Project, in Astoria, Queens. In January, I wrote this post about the murals at Welling Court. Most of the murals featured in that earlier post were painted in June 2015. In the past several weeks, Welling Court has become been renewed once again, as artists from around the world descended on the neighborhood to repaint most of the area’s many murals. (I’ve never counted, but I’ve seen estimates that Welling Court has as many as 150 murals!)

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Artist: Fumero (@fumeroism)

Wanting to catch as many artists in action as possible, I made multiple trips to Welling Court in June. And I was in luck! The Welling Court Mural Project hosted its annual block party on June 12, and many artists were painting in the week prior to and after the block party. I returned to the neighborhood again several days later to capture photos of the finished murals as well.

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Artists: Chris Soria (@chrissoria), Joel Artista (@joelartista), and Marc Evan (@marcmaniac)
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Artists: Chris Soria (@chrissoria), Joel Artista (@joelartista), and Marc Evan (@marcmaniac)
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Artists: Chris Soria (@chrissoria), Joel Artista (@joelartista), and Marc Evan (@marcmaniac)
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Artist: KIDLEW (@kidlewnyc)
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Artist: KIDLEW (@kidlewnyc)
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Artist: KIDLEW (@kidlewnyc)
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Artist: Sonni (@sonni)
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Artist: Sonni (@sonni)
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Artist: Jules Muck (@muckrock)
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Artist: Jules Muck (@muckrock)
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Artist: See One (@seeoneart)
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Artist: See One (@seeoneart)

Part of what makes the Welling Court Mural Project so interesting is that you never know what you will see next. The neighborhood has streets that come together at odd angles, and as you turn the corner and look down the next block there may be another four, six, or even more murals. Don’t forget to look up – sometimes there are smaller pieces high above the streets. Glance into alleys and small parking lots; check the sides of buildings as well. Your diligence will be rewarded with artwork a less discerning eye will not discover.

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Artist: drsc0 (@drsc0)
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Artist: SacSix (@sacsix)
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Artist: unknown (will update if I determine identity)

A wide variety of artistic styles and genres are represented at Welling Court. Some work seems more like fine art, while other pieces draw on the gritty, graffiti-inspired form that traces its roots to New York City’s street scene of the 1970s and 1980s. Most artists create their murals using spray paint and exterior house paint, but there are some fine examples of wheatpaste (artwork painted on heavy paper and adhered to the walls with a flour-based glue), ceramic tiles, and other media as well.

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Artists: Christ RWK (@chrirwk and @robotswillkill) and Herb Smith (@herb_smith)
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Artists: Icy and Sot (@icyandsot)
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Artist: Mastro (@mastronyc)
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Artist: Chris “Daze” Ellis (@dazeworldnyc)
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Artist: lmnopi (@lmnopi)
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Artists: Katie Yamasaki (@katieyamasaki) and Caleb Neelon (@calebneelonart)
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Artist: Lady Pink (@ladypinknyc)

If you wish to explore the Welling Court Mural Project, you can take the N or Q train to the 30th Avenue Station in Astoria, Queens. From the train station, walk northwest on 30th Avenue (the cross streets will get smaller as you go). When you have walked about 10 minutes, you will start seeing murals. The more you walk around the neighborhood, the more murals you will discover!

(I have so many more photos than what I’ve included in this blog – I will be adding them to my Instagram gallery (@findingnyc1) as I have time, so be sure to check it out if you are interested in street art.